All unknow artist 's Paintings
The Painting Names Are Sorted From A to Z

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Choice	ID	Image	Paintings (From A to Z)	Details
	30374		The Four Horsemen of the Apocalypse	mk68 Manuscript illustration London c.1090-1109 Spain
	77607		The Four Seasons Paying Homage to Chronos	ca. 1737(1737) Oil on canvas 95 cm (37.4 in). Height: 75 cm (29.5 in). cjr
	30516		The Four Seasons with the Sun and the Moon	mk68 Four folds of a six-fold screen painting, with gold and silver leaf,entire screen 4'10"x9'10" London,British Museum c.1575 Japan
	30935		The Four Seasons with the Sun and the Moon	mk68 c.1575
	43470		The Frontispiece	mk172 marking off the cloistered area is especially noteworthy for both the hewn stone moldings and for the distribution of colors
	43423		The functions of the inverstidura of its Excelentisima	mk171 representative real,presidente,gobernador,superintendente general, capitan and supreme commander
	62821		The Funeral of Miltiades	1782 Oil on canvas, 98 x 136 cm Musee du Louvre, Paris This painting was seized during the French Revolution from the collection of the Comte d'Angiviller
	73185		The Funfair at Night, Pont Aven	Oil painting reproduction of Ferdinand du Puigaudeau. cjr
	62529		The Fury of Athamas	1790-94 Marble Ickworth, Suffolk The marble group depicts the dramatic moment when Athamas, King of Thebes, snatches his son Learchus from his mother and smashes him against a wall. The fact that Ino, his second wife, thirsted for the blood of his children by her first wife had driven him mad. Author: FLAXMAN, John Title: The Fury of Athamas Form: sculpture , 1751-1800 , English , mythological
	64332		the game of cards	late eighteenth century. stockholm nationalmuseum
	73268		The Garden at Kervaudu	Oil painting reproduction of Ferdinand du Puigaudeau. cjr
	48450		The garden at Oatlands Surrey	mk190 before the 9th Earl of Lincoln-s alter ations 1737
	48524		The garden of Count Johann of Nassau-Idstein	lait out c.1650-70
	48512		The Garden of Durdans House,Epson,Surrey Probably laid out in the 1630 and updated after 1660	nj190 1673
	63557		The Garden of Eden	1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The other tree in the Garden is that of Knowledge, which is also the Tree of Death. It is embraced by the youthful St Sebastian, whose martyrdom (he was tied to a tree and killed by arrows) may be related to the crucifixion of Jesus. The figures sitting in front are easily recognizable by their attributes: the Archangel St Michael by the monkey-like monster cowering at his feet, who is the vanquished Satan himself; St George by his knightly clothes and by the corpse of the dragon, the embodiment of earthly wickedness.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
	63558		The Garden of Eden	1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Mary appears in her usual colours, blue and red. Her attributes are illustrated by the flowers richly carpeting the foreground (lilies and lilies of the valley = purity; rose = illumination; violets = modesty and humility) . These flowers, which were also used for medicinal purposes, frequently became connected with the person of the Madonna. In a fourteenth-century poem from the Netherlands, surviving in manuscript form, twelve different flowers refer to Mary, eight of which can be found in this painting.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
	63559		The Garden of Eden	1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Into the picture of love and undisturbed idyll enters music as the Child Jesus, assisted by St Catherine of Alexandria, plucks on a psaltery. Beyond expressing harmony, music in this picture also refers to the divine nature of this human Jesus. The duality of his being is also intimated by a cherry tree - here substituting for a tree of life - with its twin trunk and bough, from which St Dorothy picks fruit.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
	63560		The Garden of Eden	1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The female figure wearing a white scarf and drawing from the water of life is St Barbara, whose humility and unshakable strong faith ties her closely to Mary.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
	48501		The Garden of Fontainebleau as Laid out	mk190 1614
	48498		The Gardens of the Villa Farnese	mk190 Rome,Engraving 1675
	48578		The Garte Knight is Probably Frederick	mk190 1737
	49561		The German emperor Fellow WHISTLE had per heredity become harskare over one large valde,some include Spanien,Osterrike and Nederlanderna and also camp	mk201 He law in ensign fejd with protestanterna.Har am seeing wes him to haste behind a victory over nagra protestantiska furstar.Malning of the Italian renassanskonstnaren Tizian.
	56794		The goldsmith shop	mk250 Year in 1449. Wood oil of about 99 x 86 cm. New York Metropolitan Museum of Art.
	30356		The Good Shepherd	mk68 Fresco, Rome Catacombs of Saint Domitilla,Basilica of Saints Nereus and Achilleus
	42575		The Good Shepherd	MK169 ca. 425 n. Chr. Mozaiek in the Mausolem of Galla Placidia Ravenna
	78094		The Gossip	1900(1900) Oil on canvas 52 x 73 cm (20.5 x 28.7 in) cjr
	62555		The Grandmother's Birthday	1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre
	52525		The Grandmother-s Birthday	1856 Oil on panel, 71 x 58 cm
	64987		The Great Chronicle of France	1375 Illumination on parchment Biblioth?que Nationale, Paris The scenes on the picture illustrate the legend of the Trojan origin of the French. The upper two scenes show the siege of Troy. The codex was executed for Charles V King of France as indicated by the coat-of-arms held by the angels at the bottom of the page. , MINIATURIST, French , The Great Chronicle of France , 1351-1400 , French , illumination , historical
	39842		The Great Kuttra at Dacca	mk153 ca.1812 Pencil on paper 34.6x49.5cm
	49290		The Great Naval Battle at Memphis	mk195 1862 Oil on canvas 30x42
	48529		The Great Parterre at Longleat	mk190 c.1700
	75148		The Groenmarkt as seen towards the Westeinde	ca. 1765 Oil on panel cjr
	76966		The Groenmarkt as seen towards the Westeinde	Date ca. 1765 Medium Oil on panel cyf
	42600		The guest friendship of Abraham in the woods of Mamre, Page from the psalter of Lodewijk the Heijlige	MK169 1253-70 Parchment 21x14.5cm
	45494		The guest meal of the here ode	mk186 around 1625 Munchen, old Pinakothek
	72603		The H. M. S. Blonde, oil painting by Robert Dampier	The H. M. S. Blonde, oil painting by Robert Dampier, 1825, Washington Place cjr
	50902		The Haymakers	mk216 The passion for portraiture,so maked a feature of English laste in the 18th century.
	30370		The Heavenly New Jerusalem,from Commentary on the Apocalyse by Beatus	mk68 Manuscrip illustration. New York.
	34143		The Hero Faramurz scatters the troops of the king of Kabul	mk90 illustration to Firdawsi\'s Book of Kings
	34239		The hero Isfandiyar slays Arjasp the demonking in the Brazen Hold	mk90 Illustration to a manuscript of Firdawsi\'s Shah-Nameh for the Timurid prince Muhammad juki Herat c.1440
	71884		The Highway Robbery	The Highway Robbery, Oil on oak panel, 31.6 x 46.4 cm, Detroit Institute of Arts, USA.
	34252		The Hindu king Dabshalim visits Bidpay the Brahmin in his cave to learn the secret of the animal fables of Kalila and Dimna	mk90 Illustration,painted in Lahore or Agra between 1604 and 1610 by the Indo Muslim artist Abu I Hasan,for the Anwar i Suhayli the Fifteenth century persian Rendition of the fables by Wa iz i Kashifi of Herat.
	51114		The Holy Family with Angels	c. 1410 Tempera on wood, 25 x 19 cm
	45887		The holy Georg and the dragon	mk178 Tempera on material plaster and wood 61x47cm
	65061		The Holy Kinship	1410-40 Tempera on oak, 85,3 x 95 cm Wallraf-Richartz Museum, Cologne The depiction of the extended Holy Family ('Holy Kinship') on the central panel of the triptych introduces one of the most popular new themes for paintings at the beginning of the 15th century. All Christ's relatives are gathered together, following a description in the Golden Legend of 1263-73 by Jacopo da Voragine. , UNKNOWN MASTER, German , The Holy Kinship , 1401-1450 , German , painting , religious
	65060		The Holy Kinship Altarpiece	1505-10 Oak, 144 x 187 cm Wallraf-Richartz Museum, Cologne The central panel of the Holy Kinship Altarpiece depicts the Holy Kinship. The subject of Christ's relatives had been very popular from the beginning of the 15th century. On the left-hand wing are Sts Nicasius and Roch with the Cologne donor Nicasius Hackeney, who ran the fiscal administration of the imperial court; on the right are Sts Gudule and Elizabeth with the donor's wife, Christina (n?e Hardenrath). On the exterior of the wings are Sts Hermolaus, Achatius and his followers on the left, and on the right Sts Cecilia, Genevieve, Helen and Catherine, each with members of the donor's family. The altar was probably a donation to the Dominican convent of St Achatius where one of the donor's daughters was a nun. The artist of the altarpiece is referred to as the Master of the Holy Kinship. , UNKNOWN MASTER, German , The Holy Kinship Altarpiece (central panel) , 1501-1550 , German , painting , religious
	34092		The home of Augustus on the Palatine	mk88
	34248		The hoopoe addresse the soul birds beneath the Tree of Life Springing up from the fount of life	mk90 While the devil as baffled hunter bites his finger
	42052		The Hope Macarenz	mk166 Final of the wood Sculpture 17th century. Church of the Hope Macarena Seville, Espana
	41847		The Hospitality of Abraham or The Trinity	mk165 around 1420 142x114cm
	48555		The house and garden at CHiswick as Inherited	mk190 1716
	48565		The House and garden at Stowe,as they were before Lord Cobham-s alterations of the 1720s	mk190 c.1680
	75537		The house where Joseph Haydn was born	Description Haydn Geburtshaus Rohrau.jpg Oil painting of Carl Bobies:The house where Joseph Haydn was born Date original before 1897 cyf
	71487		The Hudson at the Tappan Zee	ca. 1876(1876) Oil on canvas 61 x 107.1 cm (24.02 x 42.17 in)
	52753		The Hunt of all 15th-century	mk223 Italian painters
	43440		The Ideological Position	mk172 Regarding the Indians in the New world gave rise to multiple debates attempting to explain a relity that was entirely new to Europeans.
	57194		The illusion of youth	mk253 canvas 170 x 204 cm in 1953 in St. Petersburg, Russia museum
	71435		The Illustrated Newspaper	ca. 1868(1868) Oil on canvas 42.9 x 35.1 cm (16.89 x 13.82 in)
	43438		The image of the Archangel	mk172 Michael alludes to the Spainards-stugle against Evil
	27580		The immaculate conception	mk56 oil on alabastro fiorito,set within a verde antico border
	75719		The Infanta Isabel Clara Eugenia	ca. 1570(1570) Oil on canvas 116 ?? 102 cm (45.7 ?? 40.2 in) cjr
	64236		the infanta isabella clara eugenia	1584 madrid, prado
78174		The Infantes Don Alfonso	Date about 1613-1614 Medium Oil on canvas Dimensions 48 13/16 x 38 3/4 inches cyf
76405		The Infantes Don Alfonso el Caro and Doaa Ana Margarita	about 1613-1614 Oil on canvas 48 13/16 x 38 3/4 inches cjr
43376		The informing of Montezuma	mk171 Pictografias of the memory, rcursos of the conscience
27587		The interior of a classical building,with soldiers guarding the entrance at the base of a set of steps	mk56 oil on canvas Follower of Antonio joli
33053		The Intruders	nn08
42573		The Israelieten threaten to come in uprising and De steniging of Mozes	MK169 Aaron and jozua 432-40 n. Chr. Mozaiek in the ship of the S. Maria Maggiore, Rome
44445		The Judgement of Paris	1430-40 Tempera on wood, diameter 70 cm
45672		The Kaffeegeschaft	mk186 Venice, Museo Corret
34150		The Kalila and Dimna animal fables	mk90 Tabriz 1360-70 Istanbul University Library f.1422
41781		The King Abgar Receiving the Mandylion,with the Saints Paul of Thebes	mk165 Antony Basil and Ephrem
64209		the labours of the months	from tre's riches heures du duc de berry
27522		The lamentation	mk56 pair,both oil on panel
79905		The Land of Evangeline2	Oil on canvas, 33 x 45.5 in Date 1874(1874) cjr
35412		The Landing at Tanna Tana one of the new hebrides	mk102 c.1775-76 Oil on panel 24.1x45.7cm
50483		The Landscape of New England	mk212 oil on canvas 1851 36x53in
44845		THe Laocoon Group	mk176 Marble Vatican Museum Rome
57136		The last border checkpoint on a hotel	mk253 canvas 51.1 x 65.8 cm Moscow in 1868, the State Tretyakov Gallery collection
41858		The Last Judgement	mk165 Ukrainian National Museum
41889		The Last Judgement	mk165 From the Solvycegodsk Annunciation Cathedral
41901		The Last Judgement	mk165 53x42cm The Stater Tretyakov gallery
41822		THe Last Judgement Novgorod School	mk165 162x115cm
29189		The Last Judgment	mk65 Tempera on panel 18x27 1/2"
64218		The Last Judgment	248 x 218 cm (centre), 248 x 94 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The majestic arched composition, borrowed from Raphael, the scientific representation of the numerous, animated nude figures, and the dull, brownish but smooth colouring already point to the strongly Italianate tendency in the painting of Van Orley. The subject of the side panels is the Seven Acts of Mercy. , Artist: ORLEY, Bernaert van , The Last Judgment , 1501-1550 , Flemish , painting , religious
86784		The Last Judgment and the Wise and Foolish Virgins	Date 1450s and c. 1480 Medium Oil on oak panel Dimensions Height: 65 cm (25.6 in). Width: 35 cm (13.8 in). cjr
49227		The Last Meeting of Lee and Jackson	mk195 1869 Oil on canvas 102x74
71143		The last penny	1845(1845) Oil on canvas 99 x 132 cm (38.98 x 51.97 in)
56790		The Last Supper	mk250 Louvain in Belgium, Saint Peter's Cathedral, in the year 1464-1468. Oil painting of wood, about 182.9 x 152.4 cm.
56810		The Last Supper	mk250 Florence, Italy, the Sisters of St. Apollonia Road House restaurant. Year in 1447. Frescoes 457 x 975.4 cm.
43484		THe Liberation of St. Peter	mk172 it is distinguished not only for the use of color and the dramatic effect of the interplay of light
65255		The Life of St Eulalia	1350 Tempera on wood Cathedral, Palma de Mallorca The altarpiece has a composition characteristic of 13th-14th century Sienese painting. The figures and the scenes show the strong influence of Pietro and Ambrogio Lorenzetti. The master of the altarpiece is referred to as the Master of the Privileges after he had illustrated the famous Majorcan Book of Privilegies of about 1334. Artist: UNKNOWN MASTER, Spanish , The Life of St Eulalia , 1301-1350 , Spanish , painting , religious
78564		The Little Parisienne	1883 cjr
43402		The look of the oto, between failures to meet up and cruelties	mk171
75021		The Love Birds	19th or early 20th century Oil on canvas 68.3x45.4 cm cjr
76773		The Love Birds	19th or early 20th century Medium Oil on canvas Dimensions 68.3x45.4 cm cyf
37620		The Love Letter	mk127
27533		The madonna	mk56 oil on canvas
27508		The madonna and child	mk56 oil on panel